By D. Stubbings
Anglo-Irish Modernism and the Maternal argues concentrate on the development of mother-figures in Irish tradition illuminates the extreme success of the Irish modernists. primarily, the seminal Irish modernists—Moore, Joyce, Synge, Yeats, and O'Casey—resisted these mother-figures sanctioned through cultural discourses, re-writing her with a view to elude her. during this, they not just re-constituted language and illustration, they accessed and re-figured and their very own inventive sleves.
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Additional resources for Anglo-Irish modernism and the maternal: from Yeats to Joyce
17 Structurally, Mrs Barton is central to the novel for without her the narrative would have nothing to propel it. She is the principal advocate and agitator for the social hierarchy; and, significantly, she is only able to act within the novel because of her husband's failure to act. In return for the peace of his studio, Mr Barton turns a blind eye to his wife's adulterous liaison with Lord Dungory and, in this, implicitly allows the codes and morals of the social order represented by that liaison to dominate the Barton household.
32 In both cases, there is no familial father who will mediate between mother and child: John's father is dead, Mr Barton is marginalized from his family both physically and sexually. com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-25 The Mother's Procurement of the Child in George Moore 35 Where a familial father does not exist to disrupt the bond between mother and child and, thereby, bring the child into society as subject, a space exists for the mother to `deal' with another `father', an alternative moral, social or political authority.
10 Whether it was the peasants opposing evictions or the `big house' ascendancy condemning the destruction of their homes, the inviolable hearth became a profound symbol of resistance. Already confined to that private sphere, anchored to her hearth and uniquely placed to socialize the child, it is perhaps not surprising that the mother was rendered as the symbolic source of resistance, nurturing her child with those codes ± most notably Gaelic, Catholic, Irish ± by which resistance could be realized.
Anglo-Irish modernism and the maternal: from Yeats to Joyce by D. Stubbings