Read e-book online A Companion to the Harlem Renaissance PDF

By Cherene Sherrard-Johnson

ISBN-10: 1118494067

ISBN-13: 9781118494066

A spouse to the Harlem Renaissance offers a accomplished selection of unique essays that tackle the literature and tradition of the Harlem Renaissance from the top of global warfare I to the center of the 1930s.

  • Represents the main complete insurance of issues and exact new views at the Harlem Renaissance available
  • Features unique contributions from either rising students of the Harlem Renaissance and tested educational “stars” within the field
  • Offers numerous interdisciplinary beneficial properties, similar to the part on visible and expressive arts, that emphasize the collaborative nature of the era
  • Includes “Spotlight Readings” that includes lesser recognized figures of the Harlem Renaissance and newly stumbled on or undervalued writings through canonical figures       

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Additional resources for A Companion to the Harlem Renaissance

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Orig. pub. 1930. 34 Carla L. Peterson Johnson, James Weldon. 2004. Along This Way. In Writings, ed. by William L. Andrews, 129–598. New York: Library of America. Orig. pub. 1933. Locke, Alain. 1969. ” In The New Negro, ed. by Alain Locke, 3–16. New York: Atheneum. Orig. pub. 1925. McAllister, Marvin. 2003. White People Do Not Know How to Behave at Entertainments Designed for Ladies & Gentlemen of Colour. Chapel Hill: University of North Carolina Press. McHenry, Elizabeth. 2003. Forgotten Readers: Recovering the Lost History of African American Literary Societies.

In order to historicize the rise of the Harlem Renaissance, students of the period might return to Chesnutt’s “own day,” examining how nineteenth‐ and early‐twentieth‐century writers established models in periodical publishing, passing narratives, dialect literature, domestic fiction, psychological realism, and historical romances. Harlem Renaissance artists alternately would dismiss, revise, and embrace these developments in the quest for New Negro expression. The Emergence of New Negro Literary Culture When Alain Locke announced the emergence of the “New Negro” in his 1925 Harlem Renaissance manifesto, his call for a black identity marked by racial pride was perhaps less “new” than he claimed.

Crummell, Alexander. 1995a. ” In Civilization and Black Progress: Selected Writings of Alexander Crummell on the South, ed. R. Oldfield, 195–99. Charlottesville: University Press of Virginia. Orig. pub. 1897. Crummell, Alexander. 1995b. ” In Destiny and Race: Selected Writings, 1840–1989, ed. by Wilson Jeremiah Moses, 194–205. Amherst: University of Massachusetts. Orig. pub. 1877. Crummell, Alexander. 1995c. ” In Civilization and Black Progress: Selected Writings of Alexander Crummell on the South, ed.

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A Companion to the Harlem Renaissance by Cherene Sherrard-Johnson


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